chennianxi,shanxidanfengren,shengyu1970 nian,gaozhongxueli。1990 niankaishixieshi。1999 nianwaichudagong,chengweishiliuxiangdaobaopogong,zujibianjidajiangnanbeidekuangshan。2015 nianyinzhiyebinglingmoushenglu。2016 nianhuodediyijieguiguangongrenshirenjiang。
2016nianchennianxizainiuyuedaxuedeyanjiang(jiexuan):
我上世纪九十年代开始写诗,稀稀拉拉也快三十年了。很多人好奇:你的生活几乎与诗万里之远,怎么会坚持这样一件无意义甚至是矫情的事情?我想说生命并不是逻辑的,尽管它有逻辑的成份在。再低微的骨头里也有江河。我写,是因为我有话要说。
wozhidaozaizheigeshijieshang,xiangdangduoderen,shenzhishidagongzhedeqinyouqinvmen,duigongrendelaodong、shenghuo、zhongzhongchujing,doumangranrumeng,zheiqishishiyigewuxiangemodeshidai。daiyudaizhijian、guoyuguozhijian、mingyunyumingyunzhijianjingshineimeyaoyuan。
我从中国三千年前的《诗经》以至流传至今的不朽诗歌里,看到文字背后的那个时代,看到那个时代的世道人心,那些悲苦和愿景。真正的诗歌真的是一种现实和心灵的史记。我们这些低微的骨头,在中国,在越南,在土耳其,在巴西,一根根杵着,像金属一样沉默。毕竟这个世界有70亿人,能够发出声音被人听到的不足万分之一。那些沉默的灵魂,当他们终于能发声时,他们会讲些什么?
shouxianyucaiqingyuyishuxiuwei,wodeshigeshiculide,dantabufulang,buxuwei,buwangguzuoyou。woxiwangtashiyikuaiyouwendudejinshu,zaijianyingdeshijianshang,youyisizijidehuahen。dangfuyunyuanqu,houlaizhecongqizhongnengkandaozheigewuxianzhebimihuandesuoweiquanqiuhuashijiedeyilinbanzhua。
(tuyuan:jilupian《wodeshipian》)
以下诗歌摘自陈年喜的诗集《炸裂志》
1.《炸裂志》
zaochenqilai touxiangzhalieyiyangteng
zheishidajiqideewaikuizeng
bushigangtiedecuo
shishenjinglaole cuiruobukan
wobudagankanzijideshenghuo
tajianying xuanhei
youfenghaoderuijiao
shitoupengyipeng jiuhuiliuxue
wozaiwuqianmishenchudafazhongnian
wobayancengyicicizhalie
jieci bayishengzhongxinzuhe
woweixiaodeqinren yuanzaishangshanjiaoxia
tamenyoubing shentiluomanhuichen
wodezhongniancaixiaduoshao
tamendewannianjiunengyanzhangduoshao
woshentiliyouzhayaosandun
tamenshiyinxinbufen
jiuzaizuoye zaitamenchuangqian
woyanshiyiyang hongdizhalieyidi
2.《有谁读过我的诗歌》
yousheiduguowodeshige
yousheitingjianwodee
renjianshiyipianxuedi
womenshiqizhongdeluoque
tadebai rangwomenhei
tadefengsheng shiwomenluomo
yousheiduguowodeshige
sheikanjianyigehuanghun lingzheyiqun
benmingderen
zailanzhou
houche
3.《儿子》
womenyijinghenjiubujianle
wozuoyebaonidemeng
helushuiyiqi
haiguazaichuangtou
nizailijiaershilidezhongxue
wozailiangqianliwaidehuangshan
nidemuqin
yiweishibaerlidenvren
beiyixiezhuangjiawuhuadabangzai
fengyudetiantou
womenyijiasankou
duoxiangsantiaozhuotui
zhichengqiyizhangjiaojiadezhuozi
erzi zheiyeshiwomenwanliheshanmuxia
datidejiegou
shenghuobushitonghuahedongman
erzi
womenbeisantiaozhenshidebianziganzhe
babaleile
yibuzhizousancun
sancunjiushiyinian
erzi yongnineijingquewuwudeshuxuesuansuan
babahainenggouzouduoyuan
nishuomuqinshinidemudan
weilechuntian
zheizhimudanyijingtizaokailejingnian
rujinyeluoxiangan
sheinengdangzhububusiraodeqiutian
erzi
qishinidemuqinjiushiyizhuyumi
shengyibaomiyouhaiyibaomi
daizoudejinjinshiyigen
kongkongdejiegan
erzi
niqingchedeyanbo
kanchuanwenziheshuzi
kanchuanjingangbianxingdejiliang
danhaikanbujianneixierenjiandeshijing
woxiangrangniraoguoshubenkankanrenjian
youpanizhendekanqing
4.《火车跑着跑着天就亮了》
huochepaozhepaozhetianjiuliangle
yixierenlijiayuelaiyuejin
yixierenlijiayuelaiyueyuan
chuangwaiyishanerguodenanren nvrenhehaizi
zheixiezaoqideren kumingderen
chenfengxiandongtamendetoufaheyijiao
xiandongtamenyongchangdeshenghuo
woxihuanzheiyangdejingxiang
congxiaoxiaodegezhechenxidechuangkou
kanjianweixiaodemingyun
meiyoushenmenengrangshenghuotingxialai
neixiedididesushuo baohandejudamimi
suifengsaxianggaogaodetiankong
woyuanyiyishengkanjianzheixie:
baiyangshubacunzhuangfenkai
muzhashangliangzhehuashanhetoujin
fangyanlianjiezhebeixiao
tudipinhan liaoyuan kuanrong
meiyoupoqianheshisuo
erwoduzichengshoubenbohegudu
meiyouyirianning
xiangyiliehuoche
zailiaoluandeshishili
congmangerguo
5.《永恒的恩情并不昭明》
1932nianzhi1933nian
wukelandajihuang esiwubaiwanren
bashisinianhou jinianyishishang
boluoshenkezaiesidenvhaitongxiangqian
shenshenguixia
tajingxiandebushixianhua
ershiyibabaomandemaisui
yixiepingguo jiangguo
tadagaizhidao shaonvdeshijieli
zaiyemeiyouxianhua zhiyoujie
woxiangqisiquduoniandeyeyeshuoguo
maisuishihuikaikoude danbingburangmeigerentingjian
yisishi rizishitiaomangdao
yonghengdeenqingbingbuzhaoming
neixieshiquderen
tamenyizhidouzai
yizhizhiliuxiayongmingdeningjing
6.《女子》
biboligengcuideboli
shineixieyingzhaowomendenvzi
tamenchunjing jingmo shenghuozaigaochu
yinweiguoyutouming
yizhiyuwomenyitaitoujiukanjian
renshiyinmidebufen
womenduinvziderenshi
haijinxianyutamendemingliang
qishitamenzuizhimingdeshicuixing
shijiederenheyicilumang
douhuishitamenfenshensuigu
tamenbayixieshiwuyinxiangcian
youbayixieshiwutuixiangbian
shitamenbingbuxuyaojiezhuchibang
jiuwanchenglezhuiluohefeixiang
zairifuyiri nianfuyiniandetuiyinjian
tamenwanchengleyishengdeshenyuan
shiwozhonglaoyishengjieshoufadiande
bushibiede
shiyigezheiyangdeboli
beizi
zheichabeiyisuiwolaojiu
zaiyewulididangshuideshixing
xumanshuiwokanjianfuqindelian
hewanshuiwodiandaomuqindeqing
beiziwaimianyouyiqunren
beizilimianyoulingyiqunren
maojianhuanchengpuer
shishibingweizhuanshen
beizixujiletaiduodetengtong
luodishitahanchuletamen
7.《秋天为什么如此辽阔:明月当空》
kandaoalashanshangkongdeyueliangshi
meiyoushenmebushiganjingde
errenshi baokuoshengsi
doushixianshi
zheizhaoyaoguoheichengmantianfengyandemingyue
jinye meiyouyiwangyizhuhaocao
conglaidoushizheiyang baokuoyanggaoxixiaodeaiti
beifengchuiguodaye suiyueyinweizugoudefuzhao
qingbairuyidiyangmao
woshizhuizhuyigerenlaidaozheilide
jinwan woturanmingbai
ruguomeiyoukunandexiubuhejiachi
zhuizhu jiushiliqu
xiangxianzai woyuyizhushaliu
yinweiyilunmingyue doukaichule
qiutiandebaihua
8.《李天路》
zailitianludemougefangjian
yizhuanshun wojiuzhumanleyigeyuele
yigeyuelaiwobuwenshishi
shishiyizhiyemeiyouhuiwo
chuledianshi woouer
yekankanshoujilidexinwen
duitamenwoconglaishijiangxinjiangyi
zheixienianwogengxiangxinyizhangbaizhi
litianlushibeijingzuixiangludelule
chulechelunhaiyouyixiejiaobu
tatongxianggaotiehejichang
yetongxiangshangzhoudemoujianwawu
mouchen zailigonglubuyuanchu
wofaxianyiduancanbei
mohudexiaokaixiangwojiangshuyiduanqingxiwangshi
shijianfashengzaijiaqingwunianmuqiu
yingxionghemeirengeyouchuchu
danmoludazhixiangtong
yaomeguiyumutou yaomeguiyushitou
dangquzhongrensan tamenweitamenguanshangdamu
zuotianyeli beijingchengluoxiayichangdaxue
nianmosuiwan beijinglixiangderendouzaihuijia
zheishilitianluhuidaoleludebenzhi
xinwenshuotaiwanzhengzaidaxuan
muqinshuomenkoudeluzhangmanlezaoci
woxiang zheixiexiaoxidoushizhende
9.《意思》
womensange:laochen laoli xiaosong
fenbielaizishanxi sichuan shandong
womendoushibaopogong
zoudaoyiqibushiyiqixiangtou
yebingfeishenmeyuanfen
womenmeitian
dayan zhuangyao baopo chifan shuijue
ganjuehuodemeiyidianyisi
meisantianyidundehongshaorouhemeitianyicidebaoposheng
jiuchenglewomenshenghuozuidadeyisi
youyihui
womenhegaole
xiaosongchangqileshandongdagu
cuhoukangzhuang gushengkengqiang
zaigulaodexiquli
zuoleyihuiwusong
laoliturankule
tashuoduibuqixiaoqin
shuozheshuozhetayouxiaole
taxiaozheshuo
renyibeiziyouleyihuiaiqing
jiubuqiongle
wozuihouhouqileqinqiang《zhameian》
yishengqi
wobachenshimeidexiaolaopoyezhale
shihou womendoushuo
zheijiu hechuledabanbeizimeiyoudeyisi
qiannian
xiaosongchachulexi feibing
zoudeneitian
talaopoyongtazuihouyigeyuegongzi
qinglailezhenshangzuihaodebanzi
rangyingxiongwuergemeimeisongleyicheng
qunian
laolirangdingshinazouleyitiaotui
chengdoudemajiangtuishang
congciduoleyizhi
dulidehe
rujin wohaizaikuangshan
dayan zhuangyao baopo chifan shuijue
xinlaidelianggezhushoushiliangmingtonggong
tamendeshishangcihezhangshangyouxi
meiyidianyisi
meitiandehongshaorouhepaosheng
yezaoyimeileyisi
wobuzhidao zheihoubanbeizi
hainengbunengzhaodaodian
huozhedeyisi
dongfengchuiqilaile
yisiyichayichachuilaile
yisiyichayichachuizoule
chuizhe chuizhe
douchuichengleyanchen
10.《山高月白》
qinlingyouhaoyue
yuedengyushajinbanliang
xishuilixidi
caiyaorenshuile
bachurenliuzailemenwai
huangdiyaoyuan
yishengquanfeili
dahedongqu
本文节选自
《zhaliezhi》
zuozhe: chennianxi
chubanshe: beitaibaiwenyichubanshe
chubannian: 2019-1
bianji | babaluosa
zhubian | weibingxin
tupian | wangluo
xiangguan:
为什么很多人不喜欢妙玉?妙玉,作为十二金钗正册在列的姑娘,无疑是最特别的那个。她既不是贾府的妯娌亲故,也不是贾府的座上客,她不是主人,也不是仆人,她是与红尘往来最格格不入而遗世独立的存在。妙玉的判词写道,“欲洁何曾洁,云空未必空。可怜金玉质,终陷淖泥中。”妙玉因生来就有的病带发修行于佛门而从此远离世俗,可妙玉终究也不是僧人,所以她非僧非俗却又似僧似俗,“云空未必空”。而她的曲词竟叫“世难容”——气质美如兰,才华阜比仙。天生成孤癖人皆罕。你道是啖肉食腥膻,视绮罗俗厌;却不知太高人愈妒,过洁世同嫌。可叹这,青灯古殿人将老;辜负了,红粉朱楼春色阑。到头来..
安德烈·巴赞:改编电影不纯粹了吗?让我们回到上世纪四五十年代,电影发展之初看看安德烈·巴赞为“改编”这种“不纯粹”电影形式的辩护安德烈·巴赞回顾近10年到15年来的电影发展,不难发现一个日益显著的特征:取材于文学与戏剧。当然,电影从小说和戏剧中发掘素材早已有之,但那时电影的表现形式还是独树一帜的。《基督山伯爵》、《悲惨世界》和《三个火枪手》的改编,不同于《田园交响乐》、《宿命论者雅克》、《布劳涅森林的女人们》、《肉体的恶魔》、《乡村牧师日记》的改编。电影导演只是借用了大仲马和维克多·雨果笔下的人物和情节,但并没有套用小说的文学框架。在电影中,沙威和达达尼昂所经历..
1919年的燕京大学,还不在颐和园路5号从明朝初年北京在现有城址上建成以来,北京“城”已经有了几张截然不同的面孔(图1),和这种形态差别联系在一起的不仅仅是物理建设,最重要的,还是不同历史条件下的社会生活方式。在扩展出二环线以前,北京看上去还不是一块似乎会漫无边际扩展下去的大饼。多少年来,在外来者觊觎的眼光里,它都是黑乎乎的城门洞子里密致模糊的一团——大致说来,一直到民国初年,北京城市的发展还非常局限于那一圈城墙,为城墙铁桶般围定的那座城池里面,人口拥塞,而它的外面却是稀稀落落、发展缓慢的农业聚落,只有西北面得天独厚,坐落着诸多的皇家园林和离宫、庙宇。1900 年庚子之..